The Museum of Modern Art marks the centennial of the beginning of the Great Migration, the multi-decade mass movement of African Americans from the rural South to the urban North, with the exhibition One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North from April 3 through September 7, 2015. The show highlights the ways in which Lawrence and others in his circles developed a set of innovative artistic strategies to offer perspectives on this crucial episode in American history. An extensive program of public events, performances, digital resources, and publications that underscore the movement’s transformative impact on American culture, politics, and society will be presented in conjunction with the exhibition. One-Way Ticket is organized by The Museum of Modern Art and The Phillips Collection, Washington, D.C., in collaboration with the Schomburg Center for Research in Black Culture, a division of the New York Public Library.

The exhibition at MoMA is organized Leah Dickerman, Curator, with Jodi Roberts, Curatorial Assistant, Department of Painting and Sculpture. The Phillips Collection will present an exhibition featuring the Migration Series in fall 2016, organized by Elsa Smithgall, Curator.

In 1941, Jacob Lawrence (1917–2000), then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration. A child of migrants himself and a resident of Harlem since the age of 13, Lawrence’s views as an artist were shaped by his immersion in heady contemporary debates about an artist’s social responsibilities and about writing—and giving visual form to—African American history. Before beginning to paint the Migration Series, Lawrence spent months at the 135th Street branch of the New York Public Library (now the Schomburg Center for Research in Black Culture) studying historical documents, books, photographs and journals, and other printed matter. The resulting work moved between scenes of terror and violence and scenes of great intimacy, and gave the visual arts a radically new vision of contemporary black experience. Within months of its completion, the series entered the collections of The Museum of Modern Art and the Phillips Memorial Gallery (today The Phillips Collection), with each institution acquiring half of the panels.

One-Way Ticket reunites all 60 panels of Lawrence’s Migration Series at MoMA for the first time in 20 years, and includes other accounts of the movement in a broad variety of media, including novels and poems by writers such as Langston Hughes, Claude McKay, and Richard Wright; music by Josh White, Duke Ellington, and Billie Holiday; photographs by Dorothea Lange, Ben Shahn, Gordon Parks, and Robert McNeill; sociological tracts by Carter Woodson, Charles Johnson, Emmett J. Scott, and Walter White; and paintings by Charles Alston, Romare Bearden, and Charles White. The exhibition grounds Lawrence’s work within this rich context, shedding light on the ways in which he drew upon and transformed contemporary models for representing black history in America, and suggesting how the Migration Series functioned as an innovative form of political speech.

In conjunction with the exhibition, Ms. Dickerman and Ms. Roberts are collaborating with a range of partners to develop a robust program of new commissions, projects, and events that explore the history and legacy of the Great Migration, and its continuing influence on American culture and on New York City in particular.

New commissions include:

  • Elizabeth Alexander, acclaimed poet and essayist, has commissioned 10 poets to write works inspired by the Migration Series. Participants include Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams, and Kevin Young. The resulting poems will appear in the exhibition catalogue. The celebrated poets will give a debut reading of their poems, moderated by Elizabeth Alexander and followed by a conversation, on the evening of May 1, 2015, at MoMA.
  • Terrance McKnight, a host on New York City classical music station WQXR, curates an evening of music and performance with artists including Jim Davis, Karen Chilton, Bill T. Jones, Alicia Hall Moran, Jason Moran, Damien Sneed, and Bob Stewart at MoMA on April 23, 2015. The performance will be recorded for potential broadcast at a later date.
  • MoMA’s Department of Media and Performance Art has commissioned a multipart work by Brooklyn-based artist Steffani Jemison called Promise Machine. Inspired by the Utopia Neighborhood Club, a Harlem-based women’s social service organization that directly supported Jacob Lawrence, Jemison’s project features a reading club and a performance prompted by the idea of utopia. Steffani Jemison: Promise Machine is organized by Stuart Comer, Chief Curator, and Thomas J. Lax, Associate Curator, with Martha Joseph, Curatorial Assistant, Department of Media and Performance Art.
  • MoMA’s Department of Film has commissioned a new film by Los Angeles–based filmmaker Thom Andersen that will premiere in June 2015. JUKE: Passages from the Films of Spencer Williams (2015) reconsiders the 1940s films of the pioneering African American writer-director Spencer Williams. JUKE will open a MoMA film series showcasing a concise selection of fiction and nonfiction films made during the Migration period, including newsreels and rare home movies from the 1930s and 1940s. JUKE and the film series are organized by Josh Siegel, Curator, Department of Film.
  • Acclaimed writer Sharifa Rhodes-Pitts and award-winning illustrator Christopher Myers will join forces to create a new MoMA book for children (ages three to eight) titled Jake Makes a World: Jacob Lawrence, a Young Artist in Harlem, inspired by the artist’s arrival in New York at the age of 13.

Exhibition-related programs and events include:

  • Khalil Gibran Muhammad, Director of the Schomburg Center for Research in Black Culture, will host a panel discussion on the continuing legacy of Jim Crow and how it shapes current issues of race, justice, and public policy in the United States.

  • Marcus Samuelsson, chef and owner of Red Rooster in Harlem; Abram Bissell, executive chef of The Modern and ArtFood; and Dan Jackson, executive chef of the MoMA cafés, will collaborate to create special menus highlighting the culinary impact of the Great Migration. The menus will be available in the Museum's cafés and restaurants during the run of the exhibition.

  • Live musical performances will be presented in collaboration with Jazz at Lincoln Center and Harlem Stage as part of the Museum’s annual Thursday-night summer series, MoMA Nights, during July 2015. Performances take place in The Abby Aldrich Rockefeller Sculpture Garden.

  • MoMA’s Department of Education will develop a range of programs and resources for families, teachers, and students of all ages and abilities, designed to enhance the exhibition experience.

Full details of all related events and programs will be announced in early 2015.

The Museum of Modern Art and The Phillips Collection will jointly publish a volume featuring high-quality reproductions of each of the 60 panels of the Migration Series. Jacob Lawrence: The Migration Series grounds Lawrence’s work in the cultural and political debates that shaped his art. Leah Dickerman situates the series within contemporary ideas about the role of the artist, particularly the black artist, as an agent for social change. Elsa Smithgall discusses the work’s early exhibition history and describes how it came to be acquired by two museums. The series is reproduced in full, with short texts accompanying each panel. The volume will feature 11 newly commissioned poems that respond directly to the Migration Series; the distinguished poet Elizabeth Alexander introduces the section.

MoMA will also produce a rich multimedia website that will allow users to move through and examine high-resolution images of all 60 Migration Series panels and text captions. The site will offer an interactive exploration of each individual panel, accompanied by a range of visual, auditory, literary, and documentary materials, including film, music, poetry, oral history recordings, and photographs. The website will also feature recordings of the new poems commissioned for the Jacob Lawrence Poetry Project and filmed interviews with historians, writers, and contemporary artists who offer new perspectives on Lawrence’s work. The website will be designed by Brooklyn design firm CHIPS.