Haroon Mirza

13 Jan — 19 Mar 2017 at Contemporary Art Gallery in Vancouver, Canada

13 JANUARY 2017
Haroon Mirza, Lamp for Williamsii, 2016. Courtesy hrm199 and Lisson Gallery, London.
Haroon Mirza, Lamp for Williamsii, 2016. Courtesy hrm199 and Lisson Gallery, London.

The Contemporary Art Gallery presents the first solo exhibition in Canada by British artist Haroon Mirza.

Mirza is internationally acclaimed for his work that tests the interplay and friction between sound and light waves and electric current. An advocate of interference (in the sense of electro-acoustic or radio disruption), he creates situations in which he describes his role as a composer. By manipulating electricity, a live, invisible and volatile

phenomenon, and calling on instruments as varied as household electronics, LEDs, furniture, and video footage to behave differently, relationships between elements become reliant and responsive to each other in what Mirza calls “self-governing” systems.

Entheogens comprises a series of new and recent pieces linked via a compendium of botanicals, plants such as Lophophora williamsii (peyote), Psilocybe (‘magic’ mushrooms) and Echinopsis pachanoi (San Pedro cactus).

Known worldwide as supplements to various transcendence practices through their psychotropic qualities, these are often used for spiritual and self-awareness purposes including meditation and psychedelic psychotherapy.

Haroon Mirza takes over much of our BC Binning Gallery. Developed during a two-month residency in São Paulo, captured images and sounds from the city combine as four videos and eight channels of electric signal, also visualized through strips of LED light and heard via an array of speakers all in synchronization. Reflecting on a heady mix of the current political climate in Brazil, local musical culture and entheogens, the overall experience collectively creates a mesmerizing visual and aural effect.

In other works, electrical current is passed through copper plates and plant forms such as Psilocybe cubensis, (Amanita muscaria) to create phantom-like images; sculptural assemblages are governed by the ideal growing conditions for Lophophora williamsii; combinations of recycled furniture, solar panels, lights and various psychotropic plant forms figure alongside references to Terence McKenna, an American ethnobotanist, mystic, psychonaut and author. As visitors enter the gallery, their physical movement will interrupt the light signals received causing a sensory interplay, metaphorically akin to the transformative properties that can occur through ingesting the plant forms.

The exhibition invites us to consider perceptual shifts, disorientating environments and displacements of light and sound that create delirious moments as we unwittingly interfere with altering signals and appearances, presenting a truly hypnotic and transformative experience.

Haroon Mirza lives and works in London. Recent solo exhibitions include 'ããã', Pivô, São Paulo, Brazil (2016); Nam June Paik Center, Seoul, South Korea ; Matadero, Madrid, Spain; Museum Tinguely, Basel, Switzerland (all 2015); Museum Haus Konstruktiv, Zurich, Switzerland; Le Corbusier’s Villa Savoye, Poissy, France; IMMA, Dublin, Ireland; Le Grand Palais, Saint-Nazaire, France (all 2014); The Hepworth, Wakefield, UK; MIMA, Middlesbrough, UK (2013); The New Museum, New York, USA; Kunst Halle Sankt Gallen, St Gallen, Switzerland; University of Michigan Museum of Art, Ann Arbor, USA (all 2012); Camden Arts Centre, London and Spike Island, Bristol (2011) and A- Foundation, Liverpool, UK (2009). His work was included in the 7th Shenzhen Sculpture Biennale, China (2012) and the 54th Venice Biennale, Italy (2011), where he was awarded the Silver Lion. He was awarded the Northern Art Prize in 2011, the DAIWA Foundation Art Prize in 2012, the Zurich Art Prize in 2013, the Nam June Paik Art Center Prize in 2014 and the Calder Art Prize in 2015.