'Every man should pull a boat over a mountain once in his life' - Werner Herzog.
The Ryder is pleased to present its inaugural exhibition ‘Steam horses' by British artist William Mackrell. Following the public performance 'Deux Chevaux', the entire project will be exhibited for the first time as a video, photograph, sculpture and installation. .
Supported by Arts Council England in June 2014, the artist was towed by two horses through the streets of Kensington, Chelsea and Westminster riding in the classic French “two horsepower” motorcar Citroen 2CV. Using horsepower alone, Mackrell traced a path across London marked by nine local landmarks and public spaces, including the Serpentine, Hyde Park, the Natural History Museum and the Royal Albert Hall.
‘Deux Chevaux’ examines language’s inability to define human progress at this delicate junction between natural and mechanical power. The 2 CV (short for chevaux vapeur) refers to the method of calculating horsepower used in France, 'fiscal Horsepower', that is outmoded in many other countries. The already nebulous concept of measuring mechanical power in 'horses' is further complicated by varying definitions from country to country. By visualizing this incongruity Mackrell highlights absurdity of the human urge to systematize and quantifiably measure power in natural terms. .
The realisation of ‘Deux Chevaux’ involved significant and exhaustive coordination across local and national bodies, including fourteen risk assessments and even being checked for a performing animals license. Along with the objects of his performance – a Citroen 2CV to which reigns and harnesses are attached – the exhibition features a video and photographic work plus 427 email correspondences sent by the artist in order to accomplish his performative work. The presented emails give an account of the administration faced in completing a horse drawn journey, which besides its peculiar carriage would have been commonplace only 100 years ago. This plethora of communications raises questions about the efficiency of bureaucracy to negotiate and organise human activity.
William Mackrell (b.1983) lives and works in London. He completed his BA Painting at Chelsea College of Art, London in 2005 and is currently undertaking an MFA in Fine Art at Goldsmiths College. Solo exhibitions include Andipa Gallery London, MOCA London and Arts Gallery London. Selected group exhibitions; Pump House Gallery, London, Krinzinger Projekte, Vienna, A.P.T Gallery London, Dundee Contemporary Arts Scotland, Linden Centre for Contemporary Arts Melbourne, Two Rooms Gallery Auckland and Nellie Castan Gallery Melbourne. Mackrell was recently the recipient of the Spotlight Prize from Andipa Gallery and the Royal British Society of Sculptors and in 2013 was invited as artist in residence at Krinzinger Projekte Galerie Krinzinger Vienna.
. His works have also been exhibited at Frieze London with Galerie Krinzinger (2014) and (2013) and with Andipa Gallery at ‘Plug In’ Contemporary Istanbul Art Fair (2013). William Mackrell was shortlisted for the International Emerging Artist Award (2014) and he recently completed a residency at Lichtenberg Studios, Berlin (2014). Forthcoming projects include North South performed live at the London Art Fair (2015), and the Drawing Room Biennial 2015.