This groundbreaking exhibition follows the trajectories of Pop and its critical points of contact with global developments in art such as Nouveau Réalisme (France), Concretism and Neo-Concretism (Brazil), the Art of Things (Argentina), Anti-Art (Japan), Capitalist Realism (Germany), Happenings, and Neo-Dada.

As such, the landmark exhibition recaptures the energy and inquisitiveness of this moment in art, expanding the frame of its influence and diversity while reenergizing questions around the true significance, breadth, and definition of Pop art.

Created in dialogue with an international array of curators and scholars, International Pop features some 140 works from 14 countries as well as a dedicated film/video program daily in the galleries.

The Walker-produced exhibition catalogue offers an in-depth study of the international Pop phenomenon with essays by scholars, film critics, and curators from Argentina, Brazil, Japan, Britain, the United States, Hungary, and Italy; an extensive visual chronology; a roundtable discussion; and a selection of stunning images, many rarely seen outside their countries of origin.