The driving principle of Subliminal Projects is that art should be accessible to everyone and that art can come from many different perspectives and cultural niches. Good art is good art, whether it’s done on an album cover, a skateboard, canvas, or found cardboard.

(Shepard Fairey)

Echo Park- Subliminal Projects is proud to present Twenty-One. Subliminal Projects enters its 21st year celebrating with a large-scale salon style group show. The exhibition features mixed media works from over 50 artists, as well as past print and product collaborations that defined Subliminal’s beginnings as an artist collective.

In the mid to late 90’s the breadth of skateboarding had unreservedly evolved from a singular focus on skateboarding as a sport to an all-encompassing creative culture, in which art played an integral role. Inspired by the rise of the many key artists who made a profound but little-recognized impact on skateboard culture, Shepard Fairey, Blaze Blouin and Alfred Hawkins created a skateboard and apparel company, that they coined Subliminal, highlighting collaborations with those artists.

“We chose the name Subliminal because art was a crucial part of skateboard culture but was never highlighted as the focus,” said Shepard Fairey. “We looked at the name as an acknowledgment of that and a bit of a way of identifying ourselves as underdogs.”

In addition to collaborating with artists on product-based works, Subliminal began producing fine art prints, shedding new light on skateboard and t-shirt graphics as a valid form of fine art. Tapping into the artist network exhibiting at Aaron Rose’s Alleged Gallery in New York, Subliminal produced print collaborations with artists including Thomas Campbell, Mike Mills, David Aron and Andre Razo creating an intersection between skateboard art culture and the contemporary art gallery domain. In the following years, recognition of these artists continued to grow and gain notoriety by both mainstream and commercial art institutions, most notably in the Beautiful Losers: Contemporary Art and Street Culture exhibit, curated by Aaron Rose in 2005. The exhibit toured museums around the US and Europe and was an important milestone that recognized the importance of this group of artists that Subliminal helped champion ten years prior.

While curating exhibitions was not always the main focus of Subliminal, it has been an essential part of its narrative. The first exhibit curated under the Subliminal name was in late December of 1995, at a deli in South Carolina. Eventually Subliminal found a physical home in Los Angeles in 2003, sharing a space with Fairey’s creative agency office, Studio Number One, located in the historic building of The Wiltern Theater. With resources available to produce exhibitions, the re-named Subliminal Projects continued to define its mission of bridging the gap between the fine art world and subculture artists that merit a forum to show their work, congregate, and have a good time.

Now in Echo Park, Subliminal Projects identifies as an extension of its primary philosophy, while embracing new forms of graphic art, illustration, photography, and time-based media. The perennial schedule includes art exhibitions by established and emerging artists, as well as pop-up collaborations, a lecture series, workshops and artist publications.

Twenty-One seeks to evoke the types of DIY style shows, which were the bedrock of Subliminal’s early exhibitions, showcasing the artists that are fundamental to the gallery’s past, present, and future. This exhibition was made possible with the support of OBEY Clothing.