This exhibition represents a significant contribution to our understanding of the rich visual culture of mortality in Renaissance Europe. The appeal of the “memento mori,” featuring macabre imagery urging us to “remember death,” reached the apex of its popularity around 1500, when artists treated the theme in innovative and compelling ways. Exquisite artworks—from ivory prayer beads to gem-encrusted jewelry—evoke life’s preciousness and the tension between pleasure and responsibility, then and now.
We offer our heartfelt thanks to the many generous funders of this exhibition and catalogue, without whom this undertaking would not be possible.
We are deeply grateful for contributions on the part of the Stevens L. Frost Endowment Fund, The Roth Family, Class of 1976 and 2013, the Becker Fund for the Bowdoin College Museum of Art, The Devonwood Foundation, Caroline and Edward Hyman P’10, the Class of 1976 Art Conservation Fund, the Samuel H. Kress Foundation, the Shapell Family Art Fund, the Sylvia E. Ross Fund, Robert Judd and Dr. Cristle Collins Judd, The Cowles Charitable Trust, The Robert Lehman Foundation, the Lowell Innes Fund, Mary K. McGuigan and John F. McGuigan Jr., Thomas ’06 and Hannah Weil McKinley ’08, Svetlana and Eric Silverman ’85, P’19, the Peter M. Small Professorship Fund, the Friends Fund of the Bowdoin College Museum of Art, the Maine Humanities Council, Lady Jill Shaw Ruddock ’77 CBE and Sir Paul Ruddock CBE, Lindsay R. ’95 and Peter Stavros, and the Roy A. Hunt Foundation.