Koh Sang Woo is a Korean artist who uses his models as a canvas. He paints allusions to their dreams or desires onto their skin, then photographs them and inverts the colours to suggest how our inner worlds can conflict with society. In 'Borderlines', Koh presents a new pair of self-portraits that explore the relationship of the self with the structures of nationhood. In one he is painted with the American flag with one of the stars as a tear (Koh has been a Korean based in the US for over twenty years); in the other, a grid of basic freedoms of expression (love / hate, speak / hear, wish / believe) are written in mandarin Chinese. These works look at how the individual comes into contact with a nation’s systems of order, and how a sense of identity can also become a net of limitation. Koh Sang Woo recently had a retrospective exhibition at Asian Art Works, 798 in Beijing. His work is held in the Korean National Museum of Contemporary Art and the Savina Museum of Contemporary Art in Seoul.
Olivia Kemp's drawings are expansive and relentless, fruit of an enthusiasm that borders on obsession. They take the idea of a romanticised or idealised place and run with it beyond any natural geography or sense of proportion. While her smaller drawings are intimate and precise, her large works seem endless and complex in the extreme, packed with a plethora of tiny details which are each given minute focus but built up into scenes without any focal point or respite. Most are of places Olivia has known but which she then turns into something ‘other’ through the processes of remembering and drawing. It is memory in action, an attachment to a physical place that is fired by imagination: specific and particular, whilst at the same time sprawling and continuous. Olivia Kemp's work is held in The Royal Collection (including the personal collection of Prince Charles), the Victoria & Albert Museum, and The Rothschild Collection, for whom she was commisioned to create a piece based on the RIBA award-winning Flint House (2015).
Stephen Walter is a British artist well-known for highly detailed map drawings that combine geographical accuracy with personal references. In 'Borderlines', Stephen presents new collage works which interweave his drawings with printed maps and painting, using an almost geological process of stratification to create an abstracted rendering of place. Mechanical map reproductions blend into his personalised lines and marks. The logical precision of cartography exists side-by-side with painterly expression, so that the graphic becomes gestural in a layered object. This approach then becomes a means of creating a personalised representation of place beyond specific memories or symbols, one that ventures into the sense of emotional memory that we can attached to specific locations. Stephen Walter's works are held in numerous collections including the Victoria & Albert Museum, the Government Art Collection, The British Library, The Houses of Parliament Museums, and The London Transport Museum.