Postmasters is excited to announce Dear Friend… , our first exhibition with Kensuke Koike (b. 1980, Nagoya, Japan), who is currently based in Venice.
Koike is best known for his “Single Image Processing,” an ongoing series in which he alters vintage photographs and postcards. He has one rule for making this work: nothing can be removed and nothing can be added. One photograph, one source from which to construct new work and new meaning. The rigor and discipline of this approach unlocks unexpected richness in images that might otherwise be overlooked as familiar, or even dismissed as banal. His is a conceptual exercise of constraint and deceptive simplicity that tests and reveals how much may be achieved with very little.
If I have many ingredients in my refrigerator, I can cook everything I want. If I find only a carrot inside, I must cook it in the best way possible by chopping, grating, roasting, boiling, frying, drying, etc. With many ingredients I would probably never discover that the carrot itself can be such a delicious ingredient. –Kensuke Koike
The cut is Koike’s medium. Slicing, collaging, and weaving are his methods. Scissors, scalpels, and even a pasta maker are his tools. Some works in his other ongoing series, “Today’s Curiosity,” are less restrictive, often cut, torn, and rebuilt into three-dimensional objects, while others become videos that record the process of the image’s transformation.
Encountering Koike’s unabashedly analog works, it feels as if the relentless march toward digital dematerialization of nearly everything has hit a roadblock. When he cuts into the original photograph, there is no undo, redo, or delete. He has one shot and one shot only. Mathematically precise, efficient and focused to retain the equilibrium of all elements, the original image changes in unexpected, intimate, and often magical ways, finding humor, compassion, or irony in the rearrangement of its parts.
In his notebook, the young Jasper Johns recorded his personal maxim for art production: “Take an object. Do something to it. Do something else to it. Repeat.” For his own strategy, Koike pushes this even further, and with uncommon success: he only needs the first two steps.