Fateh al-Moudarres: Colour, Extensity and Sense presents a revisionist lens into the studio practice of the influential modernist Syrian artist. Deliberately organized as a thematic slice, this exhibition examines al-Moudarres’s works within the context of his creative engagements with two disparate yet interconnected pathways: Surrealism and Sufism. Illuminating the value that resides within the absent, hidden or the unseen, al-Moudarres’s works can be read as a unique mixture of these two movements, in which he is viewed as a transcultural artist working within the context of global Surrealism, a truly international intellectual movement, which transcended the Occidental and Oriental worlds.
On view are a selection of paintings from the late 1950s through to the 1990s that reveal a cross circulation of ideas and forms that seek to locate the origin of truth. Presenting a highly emotional artistic journey, al-Moudarres’s artworks employ an interlacing study that borrows from abstract, conceptual and philosophical thinking to create a rich illustration of both personal and sociopolitical histories.
What emerges is a cross-circulation dialogue about the role of antiquity in modern Syria, the shift from the rural to the urban built environment, and wider regional events during the 1960s, a period of radical local and global political and social change. These historical moments and external influences are pivotal to the understanding of the intricate elements presented in al-Moudarres’s deeply sympathetic works, which in retrospective terms continue to resonate in light of the current and complex geopolitical realities of present day Syria.