Of the many artists who flourished in Rome during the eighteenth century, the silversmith Luigi Valadier (1726–1785) was particularly admired by popes, royalty, and aristocrats across Europe. Heir to his father Andrea’s highly successful workshop, Luigi had an unsurpassed technical expertise, which, combined with his avant-garde aesthetic, resulted in extraordinary works in silver and bronze. During his lifetime, Luigi’s fame and influence spread beyond the borders of Italy, and he received commissions from patrons in France, England, and Spain. He was, however, burdened by debts for commissions undertaken but never paid for, and, in 1785, he committed suicide, drowning himself in the Tiber. Following this tragic event, his workshop passed to his son Giuseppe.

Illustrating the versatility of Valadier, the exhibition includes more than sixty works carefully selected from the vast production of the workshop. Preparatory drawings are displayed alongside finished works, including a full table centerpiece, or deser, created about 1778 for the Bailli de Breteuil, in which, atop a gilt-bronze base inlaid with precious stones, Valadier recreated temples, triumphal arches, columns, and other miniature representations of ancient Roman monuments. The featured objects also include finely worked silver plates, tureens, salt cellars, and other tablewares, which demonstrate the evolution of Valadier’s style from Baroque to Rococo to neoclassical. Monochromatic silver objects are contrasted with polychrome works in gilt-bronze, marble, and precious stones.

Luigi Valadier: Splendor in Eighteenth-Century Rome is curated by Alvar González-Palacios. It is part of a series of exhibitions that focus on masters of the decorative arts and follows the groundbreaking and critically acclaimed Pierre Gouthière: Virtuoso Gilder at the French Court. The exhibition is accompanied by the first complete monograph on Luigi Valadier, written by González-Palacios and lavishly illustrated with new photography.