The Bowes Museum at Barnard Castle is delighted to announce the opening of a new exhibition to mark the 60th anniversary of David Hockney’s prolific career as a printmaker.
Hockney, Printmaker, which opens on Saturday 7th June, will present over 60 works by the Yorkshire born artist, charting a print career which began in 1954. It was a career furthered almost by accident when he discovered that the printmaking department at London’s Royal College of Art gave out free materials; a boon for the impoverished, working class student.
Focusing on Hockney’s two main print techniques – etching and lithography – the exhibition, curated by Richard Lloyd, Head of Prints at Christie’s, gives an informative, enlightening and entertaining overview of the artist’s graphic career to date, while revealing the thought processes and technical expertise underlying the works.
The show includes well known works such as A Rake’s Progress – Hockney’s first major etching project – modelled on William Hogarth’s eponymous set of prints; his Weather series and Swimming Pool prints.
“Hockney has an international reputation of quality and is probably the greatest living print maker,” said Emma House, The Bowes Museum’s Keeper of Fine Art. “A Rake’s Progress very much pays homage to Hogarth – it is Hockney making the print medium revered again in the same way in which Hogarth did.”
The show, which runs until 28th September, will also comprise portraits of some of Hockney’s famous sitters and friends, including his muse, the fashion designer Celia Birtwell. Later works will feature a selection of prints created using photocopiers, plus examples of his computer drawings including Rain on the Studio Window – a forerunner to his celebrated iPad works.
The exhibition, which will be complemented by a series of gallery talks, is part of the International Print Biennale, the biggest printmaking event in the UK, which runs from June to August 2014.
Hockney, Printmaker has been organised by Dulwich Picture Gallery with The Bowes Museum.